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ECLAP 2013 Conference: Detailed Programme



ECLAP 2013
2nd International Conference on Information Technologies
for Performing Arts, Media Access and Entertainment

8-10 April 2013
ESMAE/Teatro Helena Sá e Costa
Rua da Alegria, 503 - 4000-045 Porto (Portugal)
www.esmae-ipp.pt


REGISTRATION form and page


CONFERENCE PROCEEDINGS PAGE
 



In the spirit of this vibrant environment, ECLAP is pleased to announce the 2013 Conference on Information Technologies for Performing Arts, Media Access and Entertainment. Established by co-funding from the European Commission (ICT-PSP), ECLAP is a Best Practice Network that aims to create a network of experts and media access service for performing arts institutions in Europe, along with an e-library for the performing arts.

The ECLAP 2013 conference is open to researchers, professionals, industries, institutions, technicians, and practitioners in the area of performing arts and information technologies, media entertainment, technology enhanced learning, intelligent media systems, acoustic systems, cultural heritage, open data, content management, semantic models, metadata standards, and many others. The ECLAP conference aims to create a forum in which progress-oriented individuals and institutions within the aforementioned professions can find a place to collaborate and present results. We cordially invite all interested groups and individuals to submit proposals for sessions within the event, sessions, papers, posters and exhibitions. Each exhibition session offers space (booths and tables) to host demonstrators. Demo and poster sessions will also be organized.

The ECLAP 2013 conference will confirm a keynote-speaker lineup consisting of some of the most salient voices in the field and is currently looking to put together a set of workshops/sessions and panels that will conform to a standard of excellence.

 

Monday 8 April 2013 - Plenary Room
08.30-09.30 REGISTRATION
09.30-10.00 WELCOME
Rosário Gamboa IPP president 
Francisco Beja ESMAE's president [EXTERNAL CAMERA]
Paolo Nesi ECLAP project coordinator
[SLIDES] - [VIDEO]
10.00-11.00 KEYNOTE SPEAKER
“Culture and creativity in the digital realm: a boost from the past
LUIS FERR
ÃO - European Commission
DG Communications Networks, Content and Technology - Creativity Unit
[SLIDES] - [VIDEO] - [EXTERNAL CAMERA]
11.00-11.30 Coffee break
11.30-13.00 GENERAL TRACK ON PERFORMING ARTS, MEDIA ACCESS AND ENTERTAINMENT
11.30-12.00 Developing a Typology of Non-Computerised Experimental Music Notations: An Experiment in Open Frames - Emily Robertson
12.00-12.30 Algorithmic Generation of Music Tunes for an iPhone Game - Adriano Baratè, Luca Andrea Ludovico
[SLIDES] - [VIDEO] - [EXTERNAL CAMERA]
12.30-14.00 Lunch Break & Poster Session
14.00-15.00 KEYNOTE SPEAKER
“Multimodal Glossaries; a new entrance to artistic insights of dance praxis”
BERTHA BERMUDEZ
[SLIDES] - [VIDEO] - [EXTERNAL CAMERA]
15.00-15.30 A Linked Open Data service for performing arts - Pierfrancesco Bellini, Paolo Nesi
[SLIDES] - [VIDEO] - [EXTERNAL CAMERA]
15.30-16.00 Feature Matching of Simultaneous Signals for Multimodal Synchronization - Matt Benatan, Kia Ng
 [SLIDES] - [EXTERNAL CAMERA]
16.00-16.30 Coffee break
16.30-18.30 BEST PRACTICES SESSION: TRUST AND QUALITY IN CULTURAL HERITAGE DIGITAL LIBRARIES Co-Chairs: Emanuele Bellini, Jana Wilcoxen
16.30-17.00 Preserving Authenticity Evidence to Assess Provenance and Integrity of Digital Resources -
Luigi Briguglio, Silvio Salza, Maria Guercio

[SLIDES] - [VIDEO] - [EXTERNAL CAMERA]
17.00-17.30 Applicability of digital library descriptive metadata to the contemporary artworks The Sapienza Digital Library case study - Angela Di Iorio, Marco Schaerf
[SLIDES] - [VIDEO] - [EXTERNAL CAMERA]
17.30-18.00

Validating the Digital Documentation of Cultural Objects - Achille Felicetti, Franco Niccolucci

[SLIDES] - [VIDEO] - [EXTERNAL CAMERA]

18.00-18.30

Metadata Quality assessment tool for Open Access Cultural Heritage institutional repositories - Emanuele Bellini, Paolo Nesi
[SLIDES] - [VIDEO] - [EXTERNAL CAMERA]

18.30 Discussion
 
Tuesday 9 April 2013 - Plenary Room
08.30-09.30 REGISTRATION
09.30-10.30 KEYNOTE SPEAKER
“Digital Preservation
DAVID GIARETTA 
[SLIDES] - [VIDEO] - [EXTERNAL VIDEO]
10.30-14.30 GENERAL TRACK ON PERFORMING ARTS, MEDIA ACCESS AND ENTERTAINMENT
10.30-11.00 Bringing New Life to Video Narratives for Exploring Cultural Heritage - Uros Damnjanovic, Sorin Hermon
[SLIDES] - [VIDEO] - [EXTERNAL VIDEO]
11.00-11.30 Coffee break
11.30-12.00 The challenge of the inter in the preservation of cultural heritage; the intangibility of the material and immaterial dancing body in performance - Sarah Whatley
[SLIDES] - [VIDEO] - [EXTERNAL VIDEO]
12.00-12.30 The TKB project: creative technologies for performance composition, analysis and documentation - Carla Fernandes
[SLIDES] - [VIDEO] - [EXTERNAL VIDEO]
12.30-13.00 Dance in the World of Data & Objects - Katerina El Raheb, Yannis Ioannidis
[SLIDES] - [VIDEO] - [EXTERNAL VIDEO]
13.00-14.00 Lunch Break & Poster Session
14.00-14.30 MultiStage: Acting Across Distance - Fei Su, Giacomo Tartari, John Markus Bjørndalen, Hoai Phuong Ha, Otto Anshus
[SLIDES] - [EXTERNAL VIDEO]
  Plenary Room Room B
14.30-17.00 BEST PRACTICES SESSION: EDUCATIONAL SERVICES FOR THE PERFORMING ARTS Co-Chairs: Peter Eversmann, Josefien Schuurman ECLAP TUTORIAL: 
A New Generation Digital Content Service  for Cultural Heritage Institutions  -
Paolo Nesi, Pierfrancesco Bellini

[SLIDES] - [VIDEO
14.30-15.00 Multimedia Performance Reconstruction as a Challenge to Theatre History Writing. Using interactive models of historical theatre performances in the education of performing arts - Attila Szabó
[VIDEO] - [EXTERNAL VIDEO]
15.00-15.30 Cuban Theatre Digital Archive: A Multimodal Platform for Theatre Documentation and Research - Lillian Manzor, Kyle Rimkus, Mitsunori Ogihara
[SLIDES] - [VIDEO] - [EXTERNAL VIDEO]
15.30-16.00 How Online Digital Library are changing Theatre Studies and Memories? - Maia Borelli
[SLIDES] - [VIDEO] - [EXTERNAL VIDEO]
16.00-16.30 Coffee break
16.30-17.00 Education-Performing Arts-Information Technology: an Impossible Triangle? - Peter Eversmann
[SLIDES] - [VIDEO] - [EXTERNAL VIDEO]
17.00 Discussion
 
Wednesday 10 April 2013 - Plenary Room
08.30-09.30 REGISTRATION
09.30-10.30 KEYNOTE SPEAKER
The Space project, a partnership between Arts Council England and the BBC: update and initial findings
AMANDA RIGALI

[SLIDES] - [VIDEO] - [EXTERNAL VIDEO]
10.30-13.00 GENERAL TRACK ON PERFORMING ARTS, MEDIA ACCESS AND ENTERTAINMENT
10.30-11.00 Augmented Opera Performance - Joanne Armitage, Kia Ng
[SLIDES] - [VIDEO] - [EXTERNAL VIDEO]
11.00-11.30 Coffee break
11.30-12.00 Contemporary Italian Theatre on the Web:  a short history and some perspectives- Oliviero Ponte di Pino
[SLIDES] - [VIDEO] - [EXTERNAL VIDEO]
12.00-12.30 How to catalogue the cultural heritage “spectacle”- Donatella Gavrilovich
[SLIDES] - [VIDEO] - [EXTERNAL VIDEO]
12.30-13.00 Networked Performances and Natural Interaction via LOLA: Low Latency High Quality A/V Streaming System - Carlo Drioli, Claudio Allocchio, Nicola Buso
[VIDEO]
13.00-14.00 BEST PRACTICES SESSION: HOW TO DEAL WITH IPR ISSUES FOR PERFORMING ARTS CONTENT Chair: Lotte Belice Baltussen
[SLIDES] - [EXTERNAL VIDEO]
  Open Discussion
14.00 CLOSURE

 

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