Català (ca)
简体中文 (zh-hans)
繁體中文 (zh-hant)
Čeština (cs)
Dansk (da)
Nederlandse (nl)
Eesti (et)
Suomen (fi)
Français (fr)
Deutsch (de)
Ελληνικά (el)
Magyar (hu)
Italiano (it)
日本語 (ja)
Lietuviškai (lt)
Polska (pl)
Português Europeu (pt)
Slovenski (sl)
Español (es)
Svenska (sv)collection's Playback
Playlist's Playback
Metadata
Actions
Search Filter
Organize Personal Collection
Select resources to add to collections
Do you really want to start
from scratch?
Classification
Thematic Groups
Content providers
- Accademia Nazionale di Santa Cecilia, ANSC, Italia
- Associazione Archibraille (ACCESSIBLE MUSIC SCORES), ARCHIBRAILLE, Italia
- Associazione Culturale Onlus ICT Ad Duas Lauros, Roma, Italia
- Bueno Cultural Association, Italia
- Centre de Documentació Museu de les Arts Escèniques Institut del Teatre de Barcelona, ITB, Barcelona, Spain
- Centro Teatro Ateneo, University of Rome La Sapienza, UNIROMA, Italia
- Dario Fo & Franca Rame Archive, CTFR, Milano, Italia
- Department of Information Systems for Arts and Humanities, DISAH, St. Petersburg, Russia
- Department of Theatre Studies, University of Amsterdam, UvA, The Netherlands
- DigiLab - Centre for Research in Digital Arts and Humanities
- Digital Meets Culture, Italy
- Escola Superior de Música, Artes e Espectáculo do Porto, ESMAE-IPP, Porto, Portugal
- Festival Cielos del Infinito, CIELOS, Chile
- Festival International de Films de Femmes de Créteil, FIFF, Paris, France
- Fondazione Annamode, Italia
- Fondazione Fabbrica Europa per le Arti Contemporanee, FFEAC, Italia
- Grotowski Institute, IG, Poland
- History of Art at University of Glasgow (UG), UK
- IRTEM - Istituto di Ricerca per il Teatro Musicale
- La Maison du Spectacle La Bellone, BELLONE, Brussels, Belgium
- Liber Liber, Roma, Italia
- Museum of Archaeology and Anthropology (University of Cambridge), Cambridge, UK
- Muzeum, Institute of Art Production, Mediation and Publishing, Ljubljana, Slovenia
- Országos Színháztörténeti Múzeum és Intézet (Hungarian Theatre Museum and Institute), OSZMI
- Sound & Vision (Beeld en Geluid), The Netherlands
- Teatro Napoletano, Napoli, Italia
- The National Audiovisual Institute, Poland
- Universidad de Castilla La Mancha, UCLM, Spain
(1-10 of 18 in 364 ms)Objects citing Malachy Orozco
-
Oedipus – The Code BreakerOedipus – The Code Breaker is following SET’s doctrine of being always at the forefront of the technological innovation, whilst keeping in mind that the prime purpose of theatre has always been ...138 Hits Rating
-
Oedipus – The Code BreakerOedipus – The Code Breaker is following SET’s doctrine of being always at the forefront of the technological innovation, whilst keeping in mind that the prime purpose of theatre has always been ...81 Hits Rating
-
Oedipus – The Code BreakerOedipus – The Code Breaker is following SET’s doctrine of being always at the forefront of the technological innovation, whilst keeping in mind that the prime purpose of theatre has always been ...113 Hits Rating
-
Oedipus – The Code BreakerOedipus – The Code Breaker is following SET’s doctrine of being always at the forefront of the technological innovation, whilst keeping in mind that the prime purpose of theatre has always been ...131 Hits Rating
-
Oedipus – The Code BreakerOedipus – The Code Breaker is following SET’s doctrine of being always at the forefront of the technological innovation, whilst keeping in mind that the prime purpose of theatre has always been ...75 Hits Rating
-
Oedipus – The Code BreakerOedipus – The Code Breaker is following SET’s doctrine of being always at the forefront of the technological innovation, whilst keeping in mind that the prime purpose of theatre has always been ...89 Hits Rating
-
Oedipus – The Code BreakerOedipus – The Code Breaker is following SET’s doctrine of being always at the forefront of the technological innovation, whilst keeping in mind that the prime purpose of theatre has always been ...123 Hits Rating
-
Oedipus – The Code BreakerOedipus – The Code Breaker is following SET’s doctrine of being always at the forefront of the technological innovation, whilst keeping in mind that the prime purpose of theatre has always been ...94 Hits Rating
-
Oedipus – The Code BreakerOedipus – The Code Breaker is following SET’s doctrine of being always at the forefront of the technological innovation, whilst keeping in mind that the prime purpose of theatre has always been ...167 Hits Rating
-
Oedipus – The Code BreakerOedipus – The Code Breaker is following SET’s doctrine of being always at the forefront of the technological innovation, whilst keeping in mind that the prime purpose of theatre has always been ...129 Hits Rating
